V/a "atlantic Blues 1949-1970" 2007 80 Trx. 4Cd Box Set-Still Sealed Oop Rare!

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Seller: westwoodonebob (7,168) 100%, Location: Los Angeles, California, Ships to: Worldwide, Item: 332876775665 LAST YEAR I LOST ONE OF MY BEST FRIENDS TO CANCER, HE WAS A COOL MUSICIAN A DRUMMER BY TRADE, ORIGINALLY FROM SEATTLE, BUT RELOCATED TO L.A. IN 1985, HE AMASSED A VERY LARGE RECORD COLLECTION, AND HAD KILLER TASTE FOR ROCK & ROLL, SADLY I AM SELLING OFF A LOT OF HIS COLLECTION ON BEHALF OF HIS WIDOW TO HELP PAY OFF DEBTS INCLUDING HOSPITAL BILLS, TAXES AND STORAGE UNIT FEES. I AM NOT TAKING ANYTHING FOR THIS SERVICE, DOING IT FOR MY FRIEND (MISS YOU DAVE!) THE PHOTO'S MAY BE A LITTLE BLURRY (SORRY ABOUT THAT), OR IF THERE'S SOME REFLECTIONS. BUT THE PHOTO'S ARE OF THE ACTUAL ITEM YOU ARE BIDDING ON. THANKS FOR LOOKING. THIS ALBUM IS SEALED IN IT'S ORGINAL SHRINK WRAP ARTIST- VARIOUS ARTISTS TITLE- “ATLANTIC BLUES 1949-1970” TRACK LISTING- SEE PHOTO & BELOW YEAR OF RELEASE- 2007 LABEL- RHINO/ATLANTIC RECORDS CAT.#- NONE VISIBLE RECORD CONDITION- THIS ALBUM IS STILL SEALED IN IT'S ORIGINAL SHRINK WRAP. JACKET CONDITION- THIS ALBUM IS STILL SEALED IN IT'S ORIGINAL SHRINK WRAP. CUT IN THE BAR CODE DONE BY THE RECORD LABEL (SEE PHOTO) MORE INFO- THIS ALBUM IS CURRENTLY OUT OF PRINT. MORE INFO ON THE ARTIST & RELEASE- Atlantic Recording Corporation (simply known as Atlantic Records) is an American major record label founded in October 1947 by Ahmet Ertegün and Herb Abramson. Over its first 20 years of operation, Atlantic Records earned a reputation as one of the most important American recording labels, specializing in jazz, R&B and soul recordings by African-American musicians including Aretha Franklin, Ray Charles, Wilson Pickett, Sam and Dave, Ruth Brown and Otis Redding, a position greatly enhanced by its distribution deal with Stax Records. In 1967, Atlantic Records became a wholly owned subsidiary of Warner Bros.-Seven Arts, now the Warner Music Group, and expanded into rock and pop music with releases by bands such as Led Zeppelin and Yes. In 2004, Atlantic Records and its sister label Elektra Records merged into Atlantic Records Group Craig Kallman is currently the chairman of Atlantic Records. Ahmet Ertegün served as founding chairman until his death on December 14, 2006, at age 83. The hits begin In early 1949 a New Orleans distributor phoned Ertegun trying to obtain Stick McGhee's "Drinking Wine, Spo-Dee-O-Dee", which was unavailable due to the closure of McGhee's previous label. Ertegun knew Stick's younger brother Brownie McGhee, with whom Stick happened to be staying, so he contacted the McGhee brothers and cut a re-recording. When released in February 1949,[5] it became Atlantic's first hit, selling 400,000 copies, and ultimately reached #2 after spending almost half a year in the Billboard R&B charts - although McGhee himself earned just $10 for the session. From this point Atlantic's fortunes rose rapidly: they recorded 187 songs in 1949 (more than three times the output of the previous two years) and received overtures of a manufacturing and distribution deal with Columbia Records, who would pay Atlantic a 3% royalty on every copy sold. Ertegun asked about artists' royalties, which he paid, which surprised Columbia executives, who did not, which scuttled the deal. On the recommendation of broadcaster Willis Conover, Ertegun and Abramson went to see Ruth Brown at the Crystal Caverns club in Washington and invited her to audition for Atlantic. She was badly injured in a car accident en route to New York but Atlantic supported her for nine months and then signed her. Her first release for the label "So Long", cut at her second Atlantic session on May 25, 1949 with the Eddie Condon band, was a major hit, reaching #6 on the R&B chart. Brown went on to record more than eighty songs for the label, becoming the most prolific and best-selling Atlantic artist of the period. So significant was Brown's success to Atlantic's fortunes that the label became known colloquially as "The House That Ruth Built". Joe Morris, one of the label's earliest signings, scored a major hit with his October 1950 release "Anytime, Anyplace, Anywhere", the first Atlantic record issued in 45rpm format, which the company began pressing in January 1951. The Clovers' "Don't You Know I Love You" (composed by Ertegun) became the label's first R&B #1 in September 1951 and a few weeks later Ruth Brown's "Teardrops from my Eyes" became its first million-selling record. She hit #1 again in March–April 1952 with "5-10-15 Hours". "Daddy Daddy" reached #3 in September 1952, and "Mama, He Treats Your Daughter Mean" (which featured the MJQ's Connie Kay on drums) reached #1 in February–March 1953, becoming a solid seller for years afterwards, as did the late 1954 "Oh What A Dream", her last hit with Atlantic. After she left the label in 1961 Brown's fortunes declined rapidly - within a few years was reduced to working as a cleaner and bus-driver to support her children. In the 1980s she sued her former label for unpaid royalties; although Atlantic, which had prided itself on treating artists fairly, had stopped paying royalties to some artists, Ahmet Ertegun denied this was intentional. Brown eventually received a voluntary payment of $20,000 and founded a charity, the Rhythm and Blues Foundation, in 1988, established with a donation of $1.5 million from Ertegun. In 1952 Atlantic signed Ray Charles, who scored a string of hugely influential hits including "I Got A Woman", "What'd I Say" and "Hallelujah I Love Her So". Later that year The Clovers' "One Mint Julep" reached #2. In 1953, after learning that singer Clyde McPhatter had been fired from Billy Ward and His Dominoes and was forming his own group (The Drifters), Ahmet Ertegun tracked McPhatter down and signed the new group immediately. Their single "Money Honey" became the biggest R&B hit of the year.[24] Their subsequent records created some controversy: the suggestive "Such A Night" was banned by radio station WXYZ in Detroit and the follow-up "Honey Love" was banned in Memphis though both records reached #1 on the Billboard R&B chart. Although not a major success in chart terms, female vocal trio The Cookies became an important part of the Atlantic 'family'. The original group, put together by Atlantic producer Jesse Stone in 1954, comprised Darlene (Ethel) McCrea, Dorothy Jones and Dorothy's cousin Beulah Robertson, who was replaced in 1956 by Marjorie "Margie" Hendricks. They recorded "In Paradise", a minor R&B hit in early 1956, but after another unsuccessful release the trio became the regular backing singers for Atlantic recording sessions. They performed on many hits in this period including Joe Turner's "Corinna, Corinna" and "Lipstick, Powder and Paint", Chuck Willis' "It's Too Late (She's Gone)", and Ray Charles' "Lonely Avenue", "Drown In My Own Tears" and "Night Time is the Right Time" (which features Margie Hendricks prominently), before being taken on by Ray Charles and renamed The Raelettes. Stealing Through My Heart Again..." - Atlantic Blues {1949-1970} by VARIOUS ARTISTS (2007 Rhino Handmade 4CD Box Set)ByMark BarryTOP 500 REVIEWERon August 31, 2014Format: Audio CDThere seems to be 'mystery' in some circles surrounding this excellent but slightly elusive box set. Let's dissipate that discography fog right away... "Atlantic Blues {1949-1970}" was released in the USA in September 2007 on Rhino Handmade RHM2 7737 (Barcode 603497773725). 4CDs in 5" picture card sleeves are housed in hollows in a 12" x 12" Silk Screen Printed Box Set with a 36-page full-sized booklet. It's numbered to 3000 (on the booklet) and breaks down as follows: Disc 1, 20 tracks, LEADBELLY pictured, 62:24 minutes: 1. Drinking' Wine Spo-Dee-O-Dee - STICK McGHEE (1949, Atlantic 873, A) 2. Drank Up All The Wine Last Night - STICK McGHEE (1949, Atlantic 898, A) 3. The Razor Ball - BARRELHOUSE SAMMY (first appeared on the 1972 BLIND WILLY McTELL US LP "Atlanta Twelve String" on Atlantic SD 7224) 4. Last Dime Blues - BARRELHOUSE SAMMY (as per 3) 5. Mardi Gras In Orleans - ROY "Baldhead" BYRD [Professor Longhair] (1949, Atlantic 897, A) 6. Hey Now Baby - PROFESSOR LONGHAIR (1972 US LP "New Orleans Piano" on Atlantic SD 7225) 7. She Walks Right In - PROFESSOR LONGHAIR (as per 6) 8. Tee Nah Nah - VAN "Piano Man" WALLS and his AFTER HOUR SESSION BOYS [Vocal by SPIDER SAM] (1950, Atlantic 904, A) 9. Let's Do It - STICK McGHEE and His Buddies (1950, Atlantic 912, A) 10. House Warmin' Boogie - STICK McGHEE (1950, Atlantic 926, A) 11. Dallas Bebop Blues - LAWYER HOUSTON (1950, Atlantic 916, A) 12. In The Army Since 1941 - SOLDIER BOY HOUSTON (this is the same song as 11 by the same artist but with different lyrics - first appeared on the 1971 Various Artists LP "Texas Guitar: From Dallas To L.A." on Atlantic SD 7226 in the USA) 13. Goodnight Irene - LEADBELLY (1950, Atlantic 917, A) 14. Vicksburg Blues '51 - LITTLE BROTHER MONTGOMERY (1972 US LP by JIMMY & MAMA YANCEY called "Chicago Piano Volume 1 - Blues Originals Vol.6" on Atlantic SD 7229) 15. Talkin' Boogie - LITTLE BROTHER MONTGOMERY (as per 14 - note 14 is an instrumental whilst 15 has talking vocals throughout) 16. Yancey Special - JIMMY YANCEY (1951 US LP "Yancey Special" on Atlantic 130) 17. Santa Fe Blues - JIMMY & MAMA YANCEY (as per 16) 18. Monkey Woman Blues - JIMMY & MAMA YANCEY (as per 16 - note 16 is a piano instrumental while 17 and 18 have vocals by Mama Yancey) 19. Worried Life Blues - RAY CHARLES (1953 US LP "The Genius Sings The Blues" on Atlantic 8052) 20. All Night Lover Blues - JIMMY "Baby Face" LEWIS and His Band (1949, Atlantic 884, A) * Disc 2, 20 Tracks, RAY CHARLES pictured, 56:46 minutes: 1. Jump Everybody Jump - JOE MORRIS and His Orchestra (1951, Atlantic 931, A, Joe Morris Vocals) 2. Anytime, Any Place, Anywhere - JOE MORRIS and His Orchestra Featuring LAURIE TATE (1951, Atlantic 914, A, Vocals Laurie Tate) 3. I'm So Good To You (Pretty Baby) - JIMMY "Baby Face" LEWIS and his Band (1949, Atlantic 901, A) 4. Rock Me Daddy - JOE MORRIS and His Orchestra featuring LAURIE TATE (1950, Atlantic 965, A) 5. Yeah! Yeah! Yeah! - JOE MORRIS and His Orchestra (B-side of 1, is a Louis Prima cover version) 6. Chains Of Love - JOE TURNER with Van 'Piano Man' Walls Orchestra (1951, Atlantic 939, A) 7. Bump Miss Susie - JOE TURNER with Van 'Piano Man' Walls Orchestra (1951, Atlantic 949, A) 8. Let's Get Together And Make Some Love - JIMMY LEWIS and his Band (1951, Atlantic 943, A) 9. Every Time - LIL GREEN with Howard Biggs Orchestra (1951, Atlantic 951, A) 10. I've Got That Feeling - LIL GREEN with Howard Biggs Orchestra (B-side of 9) 11. Sweet Sixteen - JOE TURNER with Van 'Piano Man' Walls Orchestra (1952, Atlantic 960, A) 12. Alarm Clock Boogie - ODELLE TURNER with Jesse Stone & His Orchestra (1952, Atlantic 964, A) 13. Messin' Up - CHUCK NORRIS (1953, Atlantic 994, A) 14. Losing Hand - RAY CHARLES (1953, Atlantic 1037, A) 15. Feelin' Sad - RAY CHARLES (1954, Atlantic 1008, A) 16. TV Mama - JOE TURNER (1953, Atlantic 1016, A, features ELMORE JAMES on Slide Guitar 17. Oke-She-Moke-She-Pop - JOE TURNER (B-side of 16) 18. Last Call For Whiskey - CHOKER CAMPBELL [Vocals Harold Young] (1953, Atlantic 1014, A) 19. Tipitina - PROFESSOR LONGHAIR 91953, Atlantic 1020, A) 20. Who's Been Fooling You - PROFESSOR LONGHAIR & his Blues Scholars (B-side of 19) Disc 3, 20 Tracks, T-BONE WALKER pictured, 64:04 minutes: 1. Big Foot May - HAL PAIGE and his Blues Boys (1953, Atlantic 1032, A) 2. In The Evening - JOE TURNER (1954 Atlantic EP 565) 3. Roll Baby Roll - FLOYD DIXON and His Band (1954, Cat 106, A) 4. Wait Baby - LITTLE JOHNNY JONES (1972 Various Artists US LP "Blues Piano: Chicago Plus" on Atlantic SD 7227) 5. Hoy Hoy - LITTLE JOHNNY JONES (1953, Atlantic 1045, A) 6. Chicago Blues - LITTLE JOHNNY JONES (as per 4) 7. Hey Bartender - FLOYD DIXON (1954, Cat 114, A) 8. When I Get Lucky - FLOYD DIXON (as per 4) 9. Floyd's Blues - FLOYD DIXON (as per 4) 10. Papa Ain't Salty - T-BONE WALKER (1955, Atlantic 1065, A) 11. Play On Little Girl - T-BONE WALKER (1955, Atlantic 1074, A) 12. T-Bone Blues Special - T-BONE WALKER (as per 12 on Disc 1) 13. Roll `Em Pete - JOE TURNER (1956 US LP "Boss Of The Blues" on Atlantic 1234) 14. Piney Brown Blues - JOE TURNER (as per 13) 15. Down Through The Years - GUITAR SLIM (1956, Atco 6072, A) 16. It's Too Late - CHUCK WILLIS (1956, Atlantic 1098, A) 17. Ain't Nobody's Business - JIMMY WITHERSPOON with Wilber De Paris "New" New Orleans Band (1956 LP "New Orleans Blues" on Atlantic 1266 - credited to Wilber De Paris Plays Jimmy Witherspoon Sings) 18. How Long Blues - JIMMY WITHERSPOON (as per 17) 19. T-Bone Blues - T-BONE WALKER (1958 LP "T-Bone's Blues" on Atlantic 8020) 20. Call It Stormy Monday - T-BONE WALKER (as per 19) Disc 4, 20 Tracks, FREDDIE KING pictured, 68:02 minutes: 1. After The Lights Go Down Low - AL HIBBLER (1956 US LP "After The Lights Go Down Low" on Atlantic 1251) 2. Empty Bed Blues - LaVERN BAKER (1958 US LP "LaVern Baker Sings Bessie Smith" on Atlantic 1281) 3. Nobody Knows You When You're Down And Out - LaVERN BAKER (as per 2) 4. Preaching The Blues - LaVERN BAKER (as per 2) 5. Nasty Boogie - CHAMPION JACK DUPREE (1958 US LP "Blues From the Gutter" on Atlantic 8019) 6. Junker's Blues - CHAMPION JACK DUPREE (as per 5) 7. Along About Midnight - GUITAR SLIM (1971 US Various Artists LP "Texas Guitar: From Dallas To L.A." on Atlantic SD 7226) 8. My Time Is Expensive - GUITAR SLIM (1996 US CD "Atco Sessions" Atlantic 81760) 9. Trouble In Mind - JIMMY RICKS (1964, Atlantic 2246, A) 10. Romance In The Dark - JIMMY RICKS (B-side of 9) 11. Two Years Of Torture - RAY CHARLES (1959 US LP "The Genius Of Ray Charles" on Atlantic 1312) 12. I'm Getting' Long Alright - ESTHER PHILLIPS (1966 US LP "Confessin' The Blues" on Atlantic 1680) 13. Confessin' The Blues - ESTHER PHILLIPS (as per 12) 14. Cherry Red - ESTHER PHILLIPS (as per 12) 15. Going Down Slow - ARETHA FRANKLIN (1967, Atlantic 2427, A) 16. Today I Sing The Blues - ARETHA FRANKLIN (1969 US LP "Soul '69" on Atlantic 8212) 17. River's Invitation - ARETHA FRANKLIN (as per 16) 18. Play It Cool - FREDDIE KING (1970 US LP "Freddie King Is A Blues Master" on Cotillion SD 9004) 19. I Don't Know - FREDDIE KING (1970 US LP "My Feeling For The Blues" on Atlantic SD 9016) 20. My Love For You Will Never Die - OTIS RUSH (1969 US LP "Mourning In The Morning" on Cotillion SD 9006) PRESENTATION: Compiled by the peerless BILLY VERA (assisted by MASON WILLIAMS) - initially I was disappointed by the size and content of the booklet - only 36 pages and a lot of that filled with track lists that don't even list musicians (but have catalogue numbers). But the more I delved - the more I began to dig it. First of all I love the way it looks and feels - all of the photos and text are given this sepia tint that feels like you're riffling through an old newspaper that's aged with decades. The BILLY VERA liner notes are great fun and informative of course and the plethora of Cash Box and other US music magazine adverts peppering the text looks fabulous - as do the full page photos given over to artists who never get real recognition - Chocker Campbell, Jimmy Yancey, Joe Turner, T-Bone Walker and Guitar Slim. But musically is where the real action is - cool choices and a dip into the murky lesser-heard Blues past of Atlantic... CONTENT/SOUND: Long-standing tape engineers BILL INGLOT and DAN HERSCH have done a wonderful job with the remastering. As you can imagine - given their age - 'some' of the tracks on Disc 1 can sound rough ("All Night Lover Blues" by Jimmy "Baby Face" Lewis has bad tape disintegration) but actually 95% don't - beautifully transferred - full of life and lovely clarity. The bulk of the 4 CDs concentrate on the rarer Forties and Fifties sides with only Disc 4 reaching The Sixties and Seventies half way through its playing time. In fact the eagle-eyed collectors amongst you will notice from the disc-by-disc breakdown above that some of those superb "Blues Originals" LPs that came out of the States in their lovely textured gatefold sleeves in 1972 (Atlantic SD 7224, 7225, 7226 and 7229) are being given CD reissue here for the first time in many cases. And of course on top of that there's those rare early 78's and 45's on Atlantic, Atco and Cat to savour... Fantastic discoveries include the pure acoustic blues of "Dallas Bebop Blues" by Lawyer Houston that sounds just incredible given its vintage - while Leadbelly's classic "Goodnight Irene" sounds like it was recorded in a shack adjacent to cotton fields (basic and atmospheric). The piano instrumental "Vicksburg Blues '51" by Little Brother Montgomery has incredible atmosphere and there's a classy sepia photo of him taking up the whole of Page 19. Disc 2 ups the pace considerably by introducing Jump Blues in the shape of Joe Morris and Jimmy Lewis...and there's gorgeous slow blues from Lil Green on "I Got That Feeling" (lyrics from it title this review). She gets a full-page photograph on 21 whilst my personal hero Big Joe Turner gets Page 22 - a superb photo of him standing by Atlantic bosses Ahmet and Nesuhi Ertegun and piled-high boxes of the "Corrine Corrina" 45 - all three burly men smiling as wads of centerless singles are shipped out to eager punters. Just as rocking is Odelle Turner who tears it with "Alarm Clock Blues". But "Messin' Up" by Chuck Norris is clearly dubbed off a bad 45 and is included for rarity value. Genius choice goes to the lesser-heard Ray Charles masterpiece of Blues "Losing Hand". And I don't care how knackered the 45 of "Last Call For Whiskey" is - it's the most fun and a wonderful inclusion ("drunk with your elbows on the bar..."). Discs 3 and 4 see genius like "Roll 'Em Pete" by Joe Turner updating his Forties hit with superb brass backing while the Jimmy Witherspoon and Wilber De Paris sides are a brilliant inclusion. T-Bone Walker, Jimmy Ricks, Champion Jack Dupree and the irrepressible LaVern Baker ("Empty Bed" is so good) all impress. To sum up - although it may seem too 'slight' at first - over time I've grown to adore this box - it's a lovely thing to listen to and behold. And I know the playing times are too short and in some respects it's a bit of a 'missed opportunity' as other reviewers have quite rightly pointed out. But living with what I've got - I play "Atlantic Blues" more than other box sets with twice as much under the hood. In fact I liked it so much - I had to get my grubby paws on the other 12" x 12" entries in this short-lived Rhino series. So for me - recommended like a tin of rejuvenating spinach... PS: the other two themed 4CD Box Sets released by Rhino Handmade in the same (numbered) packaging are: "Atlantic Vocal Groups {1951-1963}" and "Atlantic Soul {1957-1975}". I DO COMBINE SHIPPING. THE SHIPPING PRICE INCLUDES THE COST OF THE LP MAILER. INTERNATIONAL BIDDERS TAKE NOTE !!! SHIPPING RATES JUST WENT UP A LITTLE ON JUNE 1, 2015..JUST A HEADS UP. SHIPPING IS BASED ON THE WEIGHT AND DESTINATION OF THE PACKAGE, YOU CAN LOOK IT UP UNDER THE “SHIPPING” TAB. IF YOU OPT TO NOT PAY FOR THE EXTRA INTERNATIONAL REGISTERED MAIL, AND OPT FOR THE REGULAR INTERNATIONAL FIRST CLASS WHICH HAS NO TRACKING AT ALL, I WILL NOT BE RESPONSIBLE FOR YOUR PACKAGE, AND I WILL TAKE PICTURES OF MY POST OFFICE RECEIPTS AND MY U.S. CUSTOMS FORMS AND SEND THEM TO YOU AS PROOF OF MY MAILING YOUR ITEM OUT, I AM NOT RESPONSIBLE FOR THE FAILINGS OF YOUR COUNTRIES POSTAL SERVICE, KNOW THIS BEFORE YOU BID ON ANY OF MY ITEMS!!! IF YOUR ITEM DOES NOT ARRIVE DO NOT BLAME ME! DUE TO THE RECENT INCREASE IN THE INTERNATIONAL MAILING RATES THAT WENT UP ON JAN. 27,2013, I WILL NOT DO A FLAT RATE FOR ANY ITEMS, FROM NOW ON YOU WILL HAVE TO CALCULATE THE RATE BASED UPON YOUR COUNTRY. ALSO ADDITIONAL COMBINED ITEMS WILL MEAN A HIGHER SHIPPING CHARGED BASED ON EACH ITEM. SORRY ABOUT THIS, BUT THERE’S NOTHING I CAN DO ABOUT THAT. REGISTERED INTERNATIONAL MAIL WHICH ALLOWS FOR DOOR TO DOOR TRACKING IS AN ADDITIONAL $14.30. I DO COMBINE SHIPPING………. CHECK OUT MY OTHER AUCTIONS International Buyers – Please Note: Import duties, taxes, and charges are not included in the item price or shipping cost. These charges are the buyer's responsibility. Please check with your country's customs office to determine what these additional costs will be prior to bidding or buying. PLEASE PAY FOR ALL ITEMS WITHIN 5 DAYS, OR MESSAGE ME TO EXPLAIN WHY YOU CAN’T,(IF YOU ARE BIDDING OR PLAN TO BID ON OTHER ITEMS) I WILL DO A ONE WEEK WAIT FROM THE DATE OF THE END OF THE FIRST AUCTION WIN, TO COMBINE SHIPPING ON ITEMS, AFTER THAT I NEED PAYMENT IN FULL AND WILL MAIL OUT THE ITEMS , EVEN IF YOU ARE BIDDING ON OTHERS, THUS BEGINS A NEW BILLING/SHIPPING CYCLE. THIS CASH FLOW IS MY SOURCE OF INCOME FOR PAYING RENT/BILLS, ETC. IF YOU HAVE WON AN ITEM AND I DO NOT HEAR FROM YOU ONE WAY OR THE OTHER WITHIN 7 DAYS I WILL OPEN AN “UNPAID ITEM CASE”, IN ORDER TO FREE UP THE ITEM FOR A POSSIBLE RE-LISTING OR A “SECOND CHANCE OFFER”. PLEASE WHEN YOU WIN AN ITEM TRY AND PAY FOR IT IN A TIMELY FASHION OR LET ME KNOW YOU ARE LOOKING AT OTHER ITEMS I HAVE LISTED, I MAIL ITEMS OUT WITHIN TWO WORKING DAYS ONCE PAYMENT IS RECEIVED. DO NOT ASK FOR ITEM TO ME MARKED “GIFT” ON CUSTOMS FORMS, INTERNATIONAL BUYERS ARE RESPONSIBLE FOR ALL DUTIES AND CUSTOMS FEE’S! CHECK WITH YOUR POST OFFICE, I WILL NOT PAY THEM. NEW NOTE TO ALL POTENTIAL BIDDERS PLEASE! DO NOT BID IF YOU HAVE NO INTENTION OF PAYING FOR AN ITEM YOU MIGHT WIN, ALSO IF YOU ARE AN INTERNATIONAL BIDDER, PLEASE! BE AWARE OF THE COST OF INTERNATIONAL SHIPPING. I DO NOT LIKE OPENING UNPAID ITEM CASES BUT I WILL IF YOU NEGLECT TO PAY AND I WILL PUT YOU ON MY “BLOCKED BIDDER” LIST. Condition: Brand New, Duration: Box Set, Special Attributes: THIS IS STILL SEALED IN IT'S ORIGINAL SHRINK, Record Label: RHINO/ATLANTIC RECORDS, Artist: VARIOUS ARTISTS, Genre: Blues, Number of Discs: 4, Release Year: 2007

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